the arrival of fresh material from visions co-owner stephane attias is a nice welcome return . these two tracks from swiss based dj and producer are aimed to simply heat the dance floors . these two pure deep house tracks are full of musicality and rich deepness that will keep the dancers happy. on the a side « body fusion is a melodious number with deep drums , lush pads over deep synth and bass , rhodes chords, piano solo and organic percussions the b side is a soulful melodious and organic jazz house track with fender rhodes , sub bass and summer vibe to keep a smile on your face. a solid release not to be missed !

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies – this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

2018 repress coming in! finally - the great new cleric release arrives! solid, dry club techno with 2 locked grooves to boot. london based artist cleric originally started sending us over material a couple of years back. as his sound developed and improved more scope was created to start looking at putting together his debut first release on eartoground. we feel this is his best release to date and have very much enjoyed putting it together.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

the legacy series is a showcase for artists that have been with the label for a long time or are a significant or part of our history. each legacy release has new remixes, unreleased material, remasters and will be either a single or double vinyl with a single or double cd. alk-e-d’s legacy ep is a thing of beauty, both musically and visually. the record comes shrinkwrapped, and the sleeve has a spine. all 4 remixes on the vinyl are superb, pushing the boundaries of hardcore and displaying the qualities of alk-e-d’s original tunes while maintaining their integrity and bringing them to a whole new level.

12 inch ep of previously unreleased material from the legendary q project. 3 tracks, 300 copies only.

hot on the heels of rapid eye movement’s journey of discovery and growth comes the ep “split: remixes” featuring reworks of the quartet of cuts originally signed by label founders memorial home and vii circle.
invited to apply their own reflections onto the material are rising producers nur jaber and wrong assessment as well as renowned artists on the underground experimental scene edit select and reggy van oers.

flevans returns with a killer 45 for the funky dancefloor! leading the way is “who’s got me” - an up tempo disco/boogie cut with more slap bass than a clone army of larry grahams… it’s a tasty dancefloor number with a big top line from none other than laura vane (mj cole, gnarls barkley, laura vane and the vipertones) who absolutely owns the vocal duties as anyone who is familiar with her work would expect. oooh weee!
over on the other side we have more classic-sounding flevans material with the party starting funk breaks of “take your money”. his signature jazzy keyboard and guitar licks converse with cheeky vocal samples all flying in and out of this slick production in a delightful fashion. it’s all about the beats on this one – it’s a guaranteed foot mover!

following jacques renault’s sophomore album,&#8203,,,, bkclubbeats, breaks & versions&#8203,,,,,which we dropped in july, is a sort of addendum, epilogue, encore. as you’ll recall, we released a cassette edition of the lp that was all ten tracks laced together, eighties/nineties mixtape-style, and topped off with five bonus tunes. what we present you with here is that extra material etched into vinyl for easier club use and personal playback.

fresh names to visionquest, but certainly not new to the game, more than material is the promising new project between two bonafide french selector statesmen who collectively boast decades of dancefloor and studio science: jedsa soundorom and gauthier dm. launching their new alias earlier this year on zingiber audio, their signature has been tangible from the off, deep weighted grooves, warm dynamics and total immersion.

moresounds has such a legit and individual quality to his music. it has humour and light heartedness but will also destroy a dance-floor in true sound clash style. so when he casually sent fracture the warriah vip he knew he had to do something with it. it was a perfect fit for the astrophonica apha ltd series, moresounds’ individual style and individually hand screen printed sleeves. warriah vip sees moresounds aka germain bigou revisit his scorcher from 2017’s gradients compilation. pure sound killer material straight from moresounds parisienne lab. the breaks have been smashed and the clash samples have been dubbed out in that unmistakable analogue heavy style. released on limited edition single sided 10inch vinyl with hand screen printed dual colour (black & white) 3mm spined reverse board matte sleeves + black paper inners.

focusing on low-slung idm, acid and atmospheric electro with nods to krautrock & ambient sounds, steve hy-lands attraktta project gets an extended outing on the film label. across eight beautifully produced tracks, hyland - one of the founding members of ai records and subsequently concrete plastic, explores vibrant synthesis and intricate drum programming, with the music arriving at a sweet spot between home listening material & club-ready workouts for more intelligent dance floors. eschewing straightforward synth sequences in favour of blissed out - almost disharmonious sonics, hyland trans-mits a curious psychedelia on his debut lp. sounds pitch and warp organically, buoyed up by saturated low end and punchy drum machine percussion. there remains a decidedly accomplished precision to the work, though - with the music bearing all the hallmarks of an artist of some considerable experience - testament to the british pro-ducer & label heads 19 years working in the industry. a colourful, exquisitely composed lp that riffs on a timeless production aesthetic with considerable style, echo principle is a fantastic entry into the film records discography.

the year is 2018, and human concrete block has finally emerged from the ever-growing london underground scene. helmed by dj and lobster distribution operative nettles, hcb is an international syndicate dedicated to saving the future of dance music as we know it. for its first offering, hcb delivers a packet of absolutely blissed-out serotonin kissed sunrise rave material from california’s caffeine worldwide aka dylan chase. the “trinity ep” follows after caffeine’s sharp debut on french press lounge last year and hot on the heels of his “universal theme ep” for third try records, bringing more of his signature take on euphoric hardcore, cheeky idm and ambient downtempo meditations.

!!! 2018 repress !!! of nu guinea’s outstanding ‘world’ ep – the neapolitan duo is set to release new material on tartelet later in the year as part of the labels 10 th anniversary. the beautifully dislocated bougainvilles live lays out some warm analogue textures across a live percussion base, while the vocal edit of title track nu world ploughs a similar furrow to obscure 80’s afro-disco, with rich musical synth work over a pacey afro groove and undeniable jazz-funk flair. the flute mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer! exotica dance club sounds like herbie visited the salsoul studios with his banks of analogue gear and jammed out into the small hours, as we head home on the beatless outro, all synth washes and lavish ear candy.

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

the notorious london white vinyl only project is back. this time round tracks selected by gareth wild. this cut through va sees excellent additions to the series via standout material from gareth wild, sp-x, kessell and exciting london based newcomer end train. tried and tested, dance floor killers.
being played and supported by the likes of: marcel dettmann, jonas kopp, kwartz, dax j, rodhad, etapp kyle, dj pete, aiken, rem co, and peter van hoesen.

the first in a series of all-time classic hip-hop anthems from the nervous vaults, pressed onto high quality dinked 45s. remastered from the original source material and featuring the unedited dirty version on the a-side, and the full instrumental on the b-side, these 45s are for the heads who know what time it really is! black moon s who got the props needs no introduction, its place in hip-hop history is fully solidified. the combination of vintage beatminerz sp1200 beats paired with the legendary mcs buckshot and the 5 ft. accelerator s streetwise nyc raps is a heady mixture indeed. often speaking of street life in new york in the 1990 s, black moon gained cult status via their 1993 debut lp enta da stage , one of the most celebrated hip-hop debut albums of all time. the beatminerz production changed the game, their deep knowledge and understanding of samples, records and digging in the crates gave their sound a real style and edge. who got da props is the perfect example of this, one of those timeless rap records that appeals to the hardcore and can ignite the party. truly essential. every home should have one (or 2!). fully legit, licensed and reissued by above board distribution in conjunction with nervous records, nyc. 2018.

alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

ismo laakso s very well produced and spaceously mixed ofelia (from 1996-99) is a blend of industrial, avant garde, modern classic, bleeps and clicks. the narrative of this album sometimes undefinably blurs the lines between recorded material & samples, and also juxtapose the main grooves with highly psychedelic sound effects and (beautiful) melodies.

after last years excellent discoveries from volume 1, another batch of lost and unreleased dutch (cassette) material is coming back to the future. for this sequel we dug deep into the dutch lowlands and again found some independent music thats still relevant today. in the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. expect a wide palette of diy and experimental sounds by artists from groningen, zwolle, arnhem, the hague, rotterdam, tilburg and deurne. volume 2 will also feature a beautifully designed inlay with liner notes in dutch and english. mastered by wouter brandenburg, designed by steele bonus and compiled by mark van de maat.

joe herrick - dream reading: extrapolation records are proud to present the first record by joe herrick, dream reading. comprising of 14 tracks from a vast archive of his material we’ve been listening to for the last 5 years, the album moves from ambient soundscapes to off kilter hip hop and house, all held together by herricks individual use of looping and samples. euphoric, psychedelic, paranoid, rugged, claustrophobic all at once, the dream scenarios throughout include a variety of daily work events, journeys to different locations, family matters, sex acts, and encounters with other human individuals, animals, and deities.

5 would be the key number for the brand new chateau flight release on versatile. its been 5 years since the last release and it took 5 days to record. nicolas (i:cube) was busy with his own material, i moved to amsterdam 3 years ago and as we like to make music in the same space. it took a bit of time but finally it s here, the dam house ep. i invited nicolas to visit me last winter, not to do music but just for a cool adam hang out. this turned into 5 intense days of fun production in my studio. it was amazing for both of us to witness how our connection remained intact after all those years and the ideas came really quick. the vibes of the tracks all turned out pretty different, it s a true chateau flight kaleidoscope with an epic 10mn techno track sargan, a more house vibe, crazy (dam house mix), a heavy dark funk drive of lo and the ambient crazy(ambient mix). this record would have not been the same without redlight records,to whom this records dedicated. james and abel left their shop open at night just for us and as children in a candy store we went through the racks looking for samples that formed the inspiration for this ep.

seit seinem start 2011 setzt der londoner online-radiosender nts (mit filialen in los angeles, shanghai und manchester) dank coolness, eklektizismus und diy-ethos neue maßstäbe im rundfunkbereich. Über 200 radio-djs aus aller herren länder sorgen für underground-dance-vibes, zusätzlich wird das programm regelmässig durch prominente gäste bereichert. der april 2018 gehörte dem britischen electronic-duo autechre, das an vier donnerstagen vier livesets mit komplett neuem material mit einer gesamtdauer von acht(!) stunden bestritt. dieses wird nun in form von deluxe-tonträgerformaten erhältlich, die alle auf ihre erstauflage limitiert bleiben werden. dreifaches 12 inch vinyl in bedruckten innentaschen in extra breitem cover-sleeve, inklusive download-code.

external assessment vs. self-conception by robag wruhme: people always think, im that serene and quiet guy, but actually i’m quite a noisemaker. could be that the majority of the material he put out in recent years, most notably the thora vukk album, led to the overall apprehension of robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. well, thats far from being a misconception, but still just one side of the coin. the other side is embossed with his most current productions, consolidated to a double ep, captioned with the enchanting name wuzzelbud ff. wait a second wuzzelbud devoted fans will instantly prick up their ears. we’ve heard that before. back in 2004 robag wruhme released his first longplayer named wuzzelbud kk. as theres no such scenario robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. and it is. wruhme presents wuzzelbud ff as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. wruhme cuts to the chase: i wanted to put out some straightforward music for the dancefloor, something for the primetime. well, for the primetime of my sets, at least.

after arriving at the reference number 10 of their particular catalog, nx1 returns to their self-titled label starting a new series called “utter”. conceived as an archive of their own material, “utter” will now be where many of their works came out with 4 cuts on each ep, making room for the wide range of compositions that characterizes them.

one of our most mysterious and intriguing states of consciousness is the dream. we lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. roger is one of those lucid pioneers that is able to translate these experiences into sound. let him guide you through these wondrous clouds. were very happy to welcome dutch-born german-raised roger van lunteren on sohaso for the first time. his rosa dos ventos ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of lynchian dreamscapes. vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. a gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions. aroy dee remixing vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. sleepless is rogers hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. it rounds off a balanced ep with plenty of introspective dance material.

up next on amsterdam’s format label is a four-tracker featuring original cuts and remixes by matrixxman, echologist and label boss juan sanchez himself.
the fourteenth format release is definitely one not to miss out on, as it offers material from some of today s most sought-after techno heads. up first is expiration, a joint effort from matrixxman and echologist. this one combines matrixxman’s signature bass and echologist’s one-of-a-kind dub techno flavors across a very trippy canvas. format’s juan sanchez follows with a dark and synth-heavy rework of the track. on fokus, juan displays a more melodic cut propelled by a playful groove. closing things off, matrixxman and echologist turn fokus into a crushing techno track filled with sweeping fx.
format continues with another strong release that’s destined to do the damage.

remixes from alexi delano+fredy grogan! on the latest release from make mistakes, roy england and friends take us on a ride into the beautiful, soulful depths. from uplifting love jams, to the chunkiest house funk, as always, the gang has you covered. roy england’s original mix soars through the night skies. pitter-patters, emotive pads, and a driving groove bring us the softer side of our little boogie baron. perfect for the euphoric abandon of a sweat soaked dance floor. alexi delano, a man who needs no introduction, kicks things up a notch, taking the original and giving it a restructured, pumping groove. a dubby line runs through, with echoing pads, a pulsing bass, and fluttering keys and synths. a beautiful dance floor meditation, with plenty of junk in the trunk. fredy grogan takes a hard left, and steps confidently into a psychedelic, tribal funk. teasing new vibes out of the original material, grogan transforms beauty in rhythm into a classic house groove, before settling us in to a hypnotic groove. make mistakes keeps on keepin on. thats all we know.

seit seinem start 2011 setzt der londoner online-radiosender nts (mit filialen in los angeles, shanghai und manchester) dank coolness, eklektizismus und diy-ethos neue maßstäbe im rundfunkbereich. Über 200 radio-djs aus aller herren länder sorgen für underground-dance-vibes, zusätzlich wird das programm regelmässig durch prominente gäste bereichert. der april 2018 gehörte dem britischen electronic-duo autechre, das an vier donnerstagen vier livesets mit komplett neuem material mit einer gesamtdauer von acht(!) stunden bestritt. dieses wird nun in form von deluxe-tonträgerformaten erhältlich, die alle auf ihre erstauflage limitiert bleiben werden. dreifaches 12 inch vinyl in bedruckten innentaschen in extra breitem cover-sleeve, inklusive download-code.

seit seinem start 2011 setzt der londoner online-radiosender nts (mit filialen in los angeles, shanghai und manchester) dank coolness, eklektizismus und diy-ethos neue maßstäbe im rundfunkbereich. Über 200 radio-djs aus aller herren länder sorgen für underground-dance-vibes, zusätzlich wird das programm regelmässig durch prominente gäste bereichert. der april 2018 gehörte dem britischen electronic-duo autechre, das an vier donnerstagen vier livesets mit komplett neuem material mit einer gesamtdauer von acht(!) stunden bestritt. dieses wird nun in form von deluxe-tonträgerformaten erhältlich, die alle auf ihre erstauflage limitiert bleiben werden. dreifaches 12 inch vinyl in bedruckten innentaschen in extra breitem cover-sleeve, inklusive download-code.

for this ep, jófríður Ákadóttir has re-recorded some of the finest songs from her bands and solo-projects (jfdr, samaris, pascal pinon) with new string arrangements. these versions have a simple, inherent beauty that is juxtaposed with their seething, stark intensity.
to replace the original arrangements with strings was originally planned as a one-off event: when preparing a pascal pinon performance in portugal, jófríður asked nyc-based composer ian davis to help her re-arrange four tracks. after the show jófríður realized that the material deserved to be captured.

seit seinem start 2011 setzt der londoner online-radiosender nts (mit filialen in los angeles, shanghai und manchester) dank coolness, eklektizismus und diy-ethos neue maßstäbe im rundfunkbereich. Über 200 radio-djs aus aller herren länder sorgen für underground-dance-vibes, zusätzlich wird das programm regelmässig durch prominente gäste bereichert. der april 2018 gehörte dem britischen electronic-duo autechre, das an vier donnerstagen vier livesets mit komplett neuem material mit einer gesamtdauer von acht(!) stunden bestritt. dieses wird nun in form von deluxe-tonträgerformaten erhältlich, die alle auf ihre erstauflage limitiert bleiben werden. dreifaches 12 inch vinyl in bedruckten innentaschen in extra breitem cover-sleeve, inklusive download-code.

last years (2017) edition of convenanza festival featured swedish band fontan, who have released material on hoga nord rekords, and that set the ground for a collaboration between the record label and one of the most interesting festivals around. the joint forces has resulted in the compilation album convenanza 2018 containing this years (2018) acts.

dark industrial edged techno. a various artist ep with stomping 4 to the floor material and serious breakbeat chaos. brace yourself and drop everything you are holding. the vinyl comes with a sticker of the labels iconic logo.

conforce returns under his silent harbour guise this august with the ‘noctiluca’ mini lp, a six track collection set for release via copenhagen’s echocord. dutch producer boris bunnik has been releasing material under various guises over the past two decades such as conforce, versalife, hexagon, vernon felicity and of course silent harbour which he revisits here following 2015’s ‘hinterland’ on deep sound channel and the self-tilted inauguration of the project in 2012 on echocord. the beatless drones of ‘riparian’ open the package, perfectly setting the tone with murky bell like chimes, rumbling subs and splashes of white noise before title-track ‘noctiluca’ picks up the pace, tipping the focus over to bubbling dub echoes, glitched out, minute percussion and a sturdy muted kick to keep things driving. ‘dwelling’ is up next, featuring expansive, washed out synth textures, cavernous bass tones and modulating percussion throughout. leading on the b-side of the release is ‘peridinum’, employing classic dub techno tropes with an amalgamation of choppy stab sequences dynamically evolving over off-beat hats and a thunderous kick. ‘fusiformis’ strips things rhythmically whilst keeping the bubbling delays and expansive reverbs at it’s core before closing track ‘pelagia’ brings bright, resonant synth lines, delayed percussive hits and tension building synth bass into the limelight.

echocord’s echo echo sub-label continues with its third releases this august, courtesy of german producer and credo founder alex bau with his ‘zenstory’ ep. germany’s alex bau has been a prominent name on the underground dj circuit on his home turf, and further afield, for three decaces as well as racking up an impressive back catalogue as a recording artists for labels like cocoon, clr, sleaze and of course his very own credo label which has been a platform predominantly for his own material whilst welcoming the likes of kyle geiger, takkyu ishino and electric rescue onto the imprint also. here though we see bau joining the roster of echocord’s fledgling sub-label echo echo with a new four-track ep and taking the lead on the package is ‘clouds’ with pulsating low-end tones, hissing analogue noise and dusty drums samples all flowing in unison with ethereal chords and sweeping pads. ‘contour’ follows, tipping the focus over to bubbling delayed stab hits, fluttering sub bass and evolving white noise bursts throughout. the ‘prelude’ of ‘zenstory’ opens the flip side and as the name would suggest it’s a cinematic build up to the title-track featuring tension-building, expansive atmospherics ahead of the original mix which features a thumping muted kick, stuttering atmospheric echoes and spoken word vocal tucked into the depths of the record.

for the first in a series of reinterpretations of material from linkwood s superb expressions album, firecracker recordings has turned to chicago deep house veterans ghosts of the sky (aka perpetual rhythms chicagodeep and taelue), and fast-rising machine abusers nummer. the latter dive into an aquatic techno tip, turning the becalmed and melancholic love lost into a techno-tempo stroll through vintage carl craig chords, sweaty machine percussion, and yearning melodies. theres a warmer and heavier, if surprisingly stripped back, feel to ghosts of the sky s version of object, with spluttering electronics and sumptuous chords stretching out over a rich synth bassline and hissing, cymbal-heavy groove.

waehlscheibe from switzerland has thought of something really special to celebrate release #10 and has created a double vinyl compilation that assembles many of the label s regulars together with a few fresh faces. the prevailing sound between deep and dubby techno and dub house refects the label s long-time dedication to this particular version of electronic music. thus waehlscheibe has established itself as more than an insider s tip for those who cherish grounded quality and timeless sounds. from the dub techno sounds of novio dub tribe, patrizio gabrielli and s&ro via sophisticated dub house from mend, anton kubikov and alessandro crimi to the housey afairs of a.s.cudia and drei farben house the compilation x showcases a fne variety of contemporary house and techno with subtle twists and quite a few sonic surprises.

5 solid disco fused house cuts here by this russian producer. holds peaktime material but also a end of the night / early morning track on b2.

for those that knoe delves deeper into the archives once more to repackage a bundle of hard to find cuts on vinyl that have been staple supplies in ben s record bag over the years. the early to mid 2000s was a period of minimal techno overload, finding quality house music then was a challenge compared to today. rather than follow the herd, some european producers took influence from the original minimal pioneers and fused those approaches with house music themes in order to push a unique sound of the era. they turned minimal on its head and gave took it in a different direction. canson from switzerland released a handful of records between 2002 and 2005 that were a prime example of this aesthetic. stripped back beats with syncopated melodies - perfect cuts for those early sets or hazy morning sessions. the three tracks featured on this compilation were originally released on two solo eps for canson: itsudemo and holiday plug in, both of which have claimed squatter s rights in my record bag for almost 15 years. i don t think i ve played one early slot or house set without one of them. this record is quite a personal one for me as it s a representation of my deeper sound as a dj. now the original records are a little hard to find so im so glad to share my choice picks of cansons material on a my label.

detroit s inner city, one of the most influential dance acts of all time celebrated their 30th anniversary starting with a memorial day live show on the main stage of detroit’s movement festival this year. formed in 1987 by record producer, composer and international dj kevin saunderson and vocalist paris grey, inner city are best known for their early crossover hits “big fun” and “good life”. further successes saw the group topping the us billboard dance chart five times and securing nine top 40 hits on the uk singles chart.this 30th anniversary will mark a new chapter for inner city, one which sees kevin saunderson now joined by his son and creative protégé dantiez as a full-time member. new material and a live show will soon follow, featuring a variety of musical collaborators and vocalists. movement festival will set the stage for inner city’s new era, with a show formation featuring grammy winner and original inner city bandleader dennis white and kevin saunderson’s long-time collaborator tommy onyx alongside local talent and vocal sensation, steffanie christi’an. in kevin’s own words: “a true family and new sound for a new generation”. with over three decades in the game under inner city’s wing, with a renewed commitment to live performances featuring a strong family core, and two generations of saunderson men in the studio – inner city are poised to enjoy the good life as much today as they did in 1987 and this is entirely evident on the group s latest offering heavy . boasting a stellar edit from detroit techno luminary and inner city collaborator carl craig, heavy is a fresh taste of what s to come from this legendary outfit. essential detroit techno.

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

the 20th release from nina kravizs seminal &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, imprint is an homage to some of the most uncompromising manifestations of electronic music imaginable. tracing sub-cultures from the 90s to the present day, &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 interrogates the boundaries of tempo and form via hardcore, gabber, acid techno and ambient. a mix of unreleased material and essential gems, the ten-track compilation visits &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, regulars, esoteric masters and relative newcomers on a voyage to the extremities of a global underground. &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 continues the tradition of gatefold double eps as a conceptual album. all of the tracks are selected around a particular story, a trip, and presented as a continuous sonic landscape. all of the tracks are structured in a way that they can be mixed one with another an endless amount of times making a continuous loop, a trip, that needs only end when the party stops. kraviz works without release dates or deadlines, enabling her to achieve a certain sound bank to shape the story, unmasking the thoughts and unraveling like a dream.

mika vainio and franck vigroux’s peau froide, le&#769,,,,ger soleil was a dense and complex record, a collection of sonic sculptures forged in the heavy tonal matter. it was the product of a lengthy creative process, articulated through studio sessions and live performances. the result was a huge amount of material that the duo actually decided to partition into more than one release, the album being the first in line. the new 6-tracker ep ignis makes for the first posthumous release from the two producers, after the untimely passing of vainio in 2017.

crew member dj format has joined forces with mc andy cooper to produce a special little number for 45 live records. “get on that”, taken from andy’s most recent lp has been completely re-worked into a brand new track with a new vocal from andy and matt format adding his superb production skills. it’s classic format material, super funky, deftly arranged and aimed squarely at the dancefloor. throw this donut on and watch the floor ignite! this 45 comes complete with an instrumental on the flip, ready to get busy in the mix if you re grabbing doubles.

it’s been a while since we put out the last keinemusik solo ep. but here we are. after -you are safe-, the longplay joint venture of all the keinemusik fellas and a whole lot of people remixing that very material, here’s a new two-tracker showcasing what’s going on these days in adam port’s sphere of interest.

naura records is proud to be back to present another strong release this time some lost archive material that goes back to the very beginning of his productions. bleak delivers 3 cuts of his custom recipe but somehow adds new unexpected flavours throughout this ep even though staying on his formal path. starting with the a side, dust (mix1) takes off with an introspective journey with detroit and classic techno. a real head turner with a classy ride and functional feeling dust (mix2) more for the deeper realm, accompanied with enchanted melodies as a twist. finally on the flip, element samples the heartbeat of a even deeper state, where one is allowed to lose yourself. get a hold of something solid, for this is a tune that communicates a lot of subtle changes and honesty.

celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites. this limited edition vinyl handpicks four of the highlight tracks from label boss mark knight, format:b, dj pp, danny howard and weiss, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno.

the first release on yeyeh is a compilation of tracks by dutch poet simon vinkenoog, a former poet laureate, and renomated one-man band spinvis. more than ten years after the birth of this album, it has been pressed on vinyl for the very first time.

a journey. a journey through sound. a journey of eighty-one years. simon vinkenoog s sound. simon sings, speaks, yells, hiccups, and cries. as a poet. as a witness, passer-by, survivor, instigator, benefactor and chronicler of the remarkable twists of his own lifetime. a collage of music, sound and poetry, compiled with several hours of archived material. carefully edited and soundtracked by spinvis.
comes in gatefold sleeve.